In the video, directed by Ricky Saiz, Bey and Jay follow the well-trod tourist route past the Louvre’s three most famous works - the Venus de Milo on the ground floor, the Winged Victory of Samothrace atop the broad Daru staircase and the Mona Lisa in the Denon wing. Pei’s entrance pyramid and squirm in formation in front of Jacques-Louis David’s gigantic “Coronation of Napoleon.” It’s a firecracker of a song - and, from an art critic’s perspective, more sophisticated and more genuine than their earlier forays into museums and galleries, such as Jay-Z’s dreary Marina Abramovic parody “Picasso Baby.” The video for the single “Apes**t” sees Beyoncé, Jay-Z and their dancers vamp on Pierre Paulin’s circular gray banquettes, drop verses in front of I.M. Not only did the first couple of American pop music impose their standard omertà on the songwriters, musicians, producers and technicians who helped them complete their new album “Everything Is Love” they also got the mandarins of Paris’s largest museum to keep mum about their first single, whose video was shot in the galleries and the exterior plaza of the Musée du Louvre.
So full credit to Beyoncé and Jay-Z - known, in tandem, as the Carters - for extending their cone of silence all the way to the City of Light. PARIS - More than art, more than music, what the cultural eminences of this city really love is gossip.